Tickets
Night watch / baby-sitting for 4+ y. o.
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Pick the date
| Mo | Tu | We | Th | Fr | Sa | Su |
16 | 17 | 18 | 19 | 20 | ||
21 | 22 | 23 | 24 | 25 | 26 | 27 |
28 | 29 | 30 | 31 | 1 | 2 | 3 |
Sunday 18.8. | 19:00
sold out
Important notice
- Free seating.
- For ticket reservations for people in wheel chairs, please contact us before purchasing a ticket (due to the technical layout of the tent capacity is limited) via ticket@letniletna.cz
- We ask all visitors to come in time. After the show starts, it is not possible to enter the chapiteau even if you present valid ticket.
- Forbidden entrance under 6 years old, older children only with parents.
We kindly ask you to respect the parental advisory age recommendations. They are essential to the safety of the artists and the comfort of all our festival guests.
Why can’t I attend an evening show with a child under the age of 6?
- We respect the age recommendation of the troupe.
- The shows are technically demanding, there is often loud music and the artists need to concentrate. Based on our experience and feedback from both visitors and artists we know that pre-school children may disrupt the performance with noise or because they need to unexpectedly leave the tent. This can be dangerous for the artists and unpleasant for the audience as it disturbs their experience.
- Once you leave the show, you will not be allowed to come back.
Noise and sound. Rush and melody. Rhythm and voice. Solo and accompaniment. They meet, and they depart. Alone, and yet together. Like musicians, dancers and acrobats in Isole.
Even in music, they discover circus approaches, the melodies and rhythms develop under their arms and legs, not only thanks to virtuosity with musical instruments, but also through movement, action and reaction, co-operation, choreography. What can music, an integral part of the poetics of Cirk La Putyka, mean and express on the stage? And how it also can be created?
Even in music, they discover circus approaches, the melodies and rhythms develop under their arms and legs, not only thanks to virtuosity with musical instruments, but also through movement, action and reaction, co-operation, choreography. What can music, an integral part of the poetics of Cirk La Putyka, mean and express on the stage? And how it also can be created?
